Homepage - The Moveable FestHomepage - The Moveable Fest The Moveable Fest Search Search Tags documentaries interviews Kickstarter Kickstart This! reviews Sundance 2020 Sundance 2021 Sundance 2025 Sundance 2026 SXSW 2013 SXSW 2021 SXSW 2023 The Moveable Fest TIFF 2019 TIFF 2022 TIFF 2023 TIFF 2025 Tribeca 2021 Tribeca 2022 Tribeca 2025 The LatestView All March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point March 7, 2026 True/False 2026 Review: A Movement Requires Memory in Yael Bridge’s “Who Moves America” March 6, 2026 True/False 2026 Review: “Phenomena” Exuberantly Presents the Tiny Universes All Around Us The Moveable Fest dark mode light mode Search Menu The Moveable Fest Search Search Popular tags Þuríður Blær Jóhannsdóttir Þorsteinn Bachmann Þorgils Hlynsson Zuzanna Wrońska Zuzanna Surowy Zuzana Kirchnerova Zurawski V. Texas Zuemmy Carrillo Zu Feng Zsófia Psotta The LatestView All March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point March 7, 2026 True/False 2026 Review: A Movement Requires Memory in Yael Bridge’s “Who Moves America” March 6, 2026 True/False 2026 Review: “Phenomena” Exuberantly Presents the Tiny Universes All Around Us Reviews True/False True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement The LatestView All March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point March 7, 2026 True/False 2026 Review: A Movement Requires Memory in Yael Bridge’s “Who Moves America” March 6, 2026 True/False 2026 Review: “Phenomena” Exuberantly Presents the Tiny Universes All Around Us March 6, 2026 True/False 2026 Review: Carolina Gonzalez Valencia’s “How to Clean a House in Ten Easy Steps” Uses Imagination to Make Sense of a Messy Situation Angelo Madsen on Embracing a Free Spirit in “A Body to Live In” The director talks about this sensational portrait of Fakir Musafar, who challenged the culture and his own body to think beyond the skin. Stephen Saito February 26, 2026 Tamika Miller on Putting Up a Fight for “Undercard” The director discusses convincing Wanda Sykes to take a rare dramatic role as a trainer who reconnects with her son and the film's 10-year journey. February 23, 2026 Berlinale 2026 Review: Alisa Kovalenko & Marysia Nikitiuk’s “Traces” Leaves a Strong Impression of an Underexamined Aspect of War A sexual assault survivor collects testimony from others for evidence of war crimes in the Russian invasion of Ukraine in this affecting doc. February 22, 2026 Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs” A devastating accident that could pull a town a part shows what holds them together in this lovely look at East Palestine, Ohio. February 20, 2026 Berlinale 2026 Review: Pete Muller’s “Bucks Harbor” Brings Out Fresh Air From a Cold Reality A fishing community in Maine where generations have devoted their life to the local industry question what return they've gotten in this affecting doc. Popular this Week View All Interviews Slamdance15 min read Slamdance 2026 Interview: Jessica Barr, Sarah Whelden and Kelly Wilcox on Setting Off “The Plan” The filmmakers behind this one-take wonder discuss putting their best foot forward for a drama where collective action becomes its own crisis. February 19, 2026 Berlinale Reviews3 min read Berlinale 2026 Review: Lorenzo Ferro and Lucas A. Vignale’s “The River Train” Deliver a Ride Full of Childhood Wonder A boy from the Argentinian countryside finds his eyes open wide by a trip to the city in this endearing film that shares his fresh perspective. February 18, 2026 Berlinale Reviews3 min read Berlinale 2026 Review: A Private Hell is Unearthed in Jérémy Comte’s Provocative “Paradise” Two young men who couldn't be further apart geographically carry a similar burden in this debut drama that shows considerable promise. February 18, 2026 Trending View All February 18, 2026 Berlinale 2026 Review: Patric Chiha’s “A Russian Winter” Affords Some Sun to Those Left Out in the Cold February 16, 2026 Berlinale 2026 Review: Sam Pollard’s Galvanizing “Tutu” Keeps the Faith February 16, 2026 Berlinale 2026 Review: Amy Adams Has a Field Day in Kornél Mundruczó’s Ferocious Sobriety Drama “At the Sea” February 16, 2026 Berlinale 2026 Review: A Lawyer’s Sense of Justice is Put on Trial in Faraz Shariat’s Absorbing “Prosecution” February 15, 2026 Berlinale 2026 Review: A Housekeeper Is Asked to Clean Up a Different Kind of Mess in Dominik Locher’s Entertaining “Enjoy Your Stay” February 14, 2026 Akinola Davies Jr. on Bringing Light Into “My Father’s Shadow” February 14, 2026 Berlinale 2025 Review: A Pair of Misfits Embark on a Tender Romance in Ian de la Rosa’s Touching “Iván & Hadoum” February 14, 2026 Berlinale 2026 Review: A Filmmaking Collective in Nigeria Sets their Sights on Other Worlds in the Compelling “Crocodile” February 13, 2026No comments Dusty Mancinelli and Madeleine Sims-Fewer on the Bittersweet Romance of “Honey Bunch” Stephen Saito Featured View All February 13, 2026 Berlinale 2026 Review: A Teen Looks to Become Comfortable In Her Own Skin in Kelly O’Sullivan and Alex Thompson’s Marvelous “Mouse” February 11, 2026 Sundance 2026 Review: The Real Journey Begins After Migration Ends in Itab Azzam and Jack MacInnes’ Compelling “One in a Million” The Moveable Fest Your tour guide to adventurous cinema. 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