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e-fluxe-flux is a publishing platform and archive, artist project, curatorial platform, and enterprise which was founded in 1998.e-fluxSubscribe to e-flux and be the first to get news on art, architecture, film and theory!Subscribe Subscribee-flux announcements are emailed press releases for art exhibitions from all over the world.Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.e-flux AnnouncementsAgenda & CriticismArchitectureFilmEducationEventsI have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*SubmitThank you for your interest in e-flux. Check your inbox to confirm your subscription.e-fluxSubscribeAdvertisemente-fluxSubscribeAnnouncementsCriticismNotesJournalArchitectureFilmEducationBooksIndexProjectsPodcastsShopEventsBar Laikae-flux AppContactAboutDirectoryEventsBar Laikae-flux AppFacebookTwitterInstagramWeChat172 Classon AvenueBrooklyn, NY 11205USAPrivacy policySubscribeContactAboutPrivacy policyDirectoryFacebookTwitterInstagramWeChat172 Classon AvenueBrooklyn, NY 11205USAe-fluxSubscribeAnnouncementse-fluxAgendaArchitectureEducationFilme-fluxAgendaArchitectureEducationFilme-fluxAnnouncement2026-02-26 e-fluxe-flux March eventse-fluxAnnouncement2026-02-26 e-fluxCentro Botín International open call: 33rd annual art grants and 2026 workshopse-fluxAnnouncement2026-02-26 e-fluxLeeum Museum of Art Tino Sehgal e-fluxAnnouncement2026-02-26 e-fluxDeichtorhallen Hamburg Into the Unseen: The Walther Collection cataloguee-fluxAnnouncement2026-02-26 e-fluxBerliner Festspiele Annual programme 2026e-fluxAnnouncement2026-02-26 AgendaCell Project Space LA Timpa Come Backe-fluxAnnouncement2026-02-26 ArchitectureThe Museum of Modern Art (MoMA) Evangelos Kotsioris appointed Director of the Emilio Ambasz Institutee-fluxAnnouncement2026-02-26 EducationBasel Academy of Art and Design FHNW MA Digital Communication Environmentse-fluxAnnouncement2026-02-26 FilmThe Museo d’arte della Svizzera italiana (MASI Lugano) K-NOW! Korean Video Art Todaye-fluxAnnouncement2026-02-25 e-fluxOnassis Culture Yorgos Lanthimos Photographse-fluxAnnouncement2026-02-25 e-fluxIMMA — Irish Museum of Modern Art Tarek Atoui: Souffle Continu, Sunflowerse-fluxAnnouncement2026-02-25 e-fluxTai Kwun Contemporary Stay Connected: Supplying the Globee-fluxAnnouncement2026-02-25 e-fluxThe National Art Center, Tokyo (NACT) Talk events on manga in London and Parise-fluxAnnouncement2026-02-25 e-fluxScotland at the Venice Biennale Bugarin + Castle Shame Paradee-fluxAnnouncement2026-02-25 AgendaAlmanac Cristina Lavosi E non dono celesteMoreCriticismOn Art Basel QatarJörg Heiser“Brand USA” is now embodied by an increasingly demented president surrounded by a troupe of amateurish proto-fascists and psycho tech billionaires. Russia’s deathonomics dictates that generous state subsidies make it more lucrative for an average family to send their son to his death on the Ukrainian front than to give him a good education. The European Union, increasingly dominated by right-wing populist forces, is caught between these two superpowers. Meanwhile, the Gulf states and China are calling the shots, radiating dynamism and prosperity. Following the example of FIFA, Qatar has subsumed the Art Basel brand into its own.On Emilio Martínez PoppeMaddie HamptonCivic Views (2025) maps the functions of city government through the labor of its employees. Born out of personal conversations with workers from the various governing bodies of Philadelphia, from the Housing Authority to the City Archives, the piece dignifies the thankless labor that is only guaranteed to be noticed in times of crisis, when the system fails, wears out, or is deliberately undermined. First positioned in the courtyard of Philadelphia’s City Hall, and now included in the 82nd Whitney Biennial, it visualizes the ebb and flow of power, funding, and communication that undergirds the infrastructure of the city.Paper Tiger Television’s “It’s 8:30. Do you know where your brains are?”Ben EasthamGoldsmiths Centre for Contemporary ArtTo enter this exhibition of lo-fi, punkish video essays about the corruption of US society by corporate media interests, the visitor must pass through a broken television screen. This witty bit of set design expresses both the DIY aesthetic and the guiding principle of Paper Tiger Television, a US media collective that produced over 400 public access TV programs between 1981 and 2008: if we want to regain control over the dissemination of information in our societies, then we must, in Joan Braderman’s words, “get inside the box.”Pierre Huyghe’s “Liminals”Kirsty BellLAS Art FoundationThe work is said to depict impossibility. But surely the point of AI is that there is no impossible anymore, given its limitless synthetic nature. Any imaginable image, however weird, implausible or horrific, can now be swiftly rendered. We are told the work is about our uncertain times, but a figure with a face removed cleanly and digitally—not blasted away by the violence of war or of militarized governments—does not represent any of the considerable uncertainties that trouble me daily. What Liminals gives us is essentially a picture, minutely rendered.“Ways of Seeing”George MacBethMuzeum Sztuki in LodzThe approach Daniel Muzyczuk and his colleagues have adopted in their re-hang—entitled “Ways of Seeing” in a nod to both John Berger and Strzemiński’s 1958 book Theory of Seeing—is what one might term “curatorial ostranenie,” the process of de-familiarization that Viktor Shklovsky took to be integral to poetic language. The collection is structured into thirteen transnational and transhistorical chapters, which freely inter-combine chronologies and mediums. An associative journey through the historic collection, the rehang deftly defamiliarizes topics and artists we thought we knew.“Monuments”Brian DroitcourThe Geffen Contemporary at MOCA“Monuments” is effective because it presents bad art. The aggregated clichés move the viewer with a melodramatic surfeit of feeling. The exhibition achieves, at the level of display, what political art is meant to do: it forces a confrontation with power and myth without resolving their contradictions. Some works manage this on their own. But the cumulative effect is stronger because the blend of propaganda and documentation, monumentality and performance, means that nothing is insulated from conflict.MoreNotesFebruary 25, 2026After Farce: Ubu, the ImperialistBy Branislav JakovljevićFebruary 23, 2026Ethics and Parafiction: A Conversation FilmBy Salomé LamasFebruary 20, 2026Is It Simple to Be a Communist in Philosophy? Review of Alberto Toscano, Communism in PhilosophyBy Jason ReadFebruary 18, 2026For Another Buddhism, Against Byung-Chul HanBy Alex Taek-Gwang LeeFebruary 16, 2026On the Background in the Cinema FilmBy Tiago de Luca February 13, 2026The Spiritual Ear: On Daniel Heller-Roazen’s Far CallsBy Mustafa UzunerFebruary 11, 2026Fever Pitch: On Bourgeois Coldness by Henrike KohpeißBy Thomas WallerMoreJournalIssue #160February 2026EditorialEditorsLooking Back with Silvia Federici: A ConversationAndreas Petrossiants and Silvia FedericiWarm WarCharles StankievechWar in the Age of Infinite Evidence: On AI-Generated War PhotographyBogna KoniorPlanetary Aesthesis, Not Animal CitizensJosephine BerryBesides Constellation: Concatenation and EffervescencePatrick FloresOn Vilém Flusser’s Phenomenology of UnderdevelopmentRômulo MoraesDelaysVilém FlusserIssue #159December 2025EditorialEditorsFire in Every DirectionTareq BaconiBombers RowJasmine AmussenThe “Crisis of Masculinity” CrisisMaxi WallenhorstWhat You Don’t See: On the Private Films of a Wehrmacht OfficerKlaus Theweleit and Marius Babias and Clemens von WedemeyerFemmunist IntimationsMcKenzie WarkPets Going Their Own WayIngo NiermannWhat Would a Lady Do?Fahim AmirFrom the Ruins of UtopiaJulieta ArandaAmerican Shivaree: A Class Warfare Torch SongMary Walling BlackburnIssue #158November 2025EditorialEditorsThe Broken PipeAntonio NegriArt and Emancipation in the Gaze of Political EschatologyKeti ChukhrovThe Shadow Art World: Rehearsing GenocideJonas StaalBeautiful Soup: On the Afterlives of Monique Wittig’s Unique UtopiasSophie LewisNarrating Self-Abolition: On Richard WrightJohn BohnThe Trequartistas of CultureStevphen ShukaitisIn the Kingdoms of Ruin: Okwui Enwezor, Contemporary Art, and the Global SouthSylvester Okwunodu Ogbechie MoreArchitecturee-fluxAnnouncement2026-02-26The Museum of Modern Art (MoMA) Evangelos Kotsioris appointed Director of the Emilio Ambasz Institutee-fluxAnnouncement2026-02-25Yale School of Architecture Domestic Revolutions and Feminist CitiesPositionse-fluxAnnouncement SIM CityIman Ansarie-fluxAnnouncement2026-02-23MIT Architecture Spring 2026 public programe-fluxAnnouncement2026-02-19Copenhagen Architecture Forum Cultures of Assembly: Imperfect Assembliese-fluxAnnouncement2026-02-18Canadian Centre for Architecture Where We Grow OlderMoreEducationFebruary 26, 2026Basel Academy of Art and Design FHNWMA Digital Communication EnvironmentsFebruary 25, 2026Verein K - Kunst, Kultur, KritikVisiting Curators Vienna 2026February 25, 2026La Becque Artist ResidencyPrincipal Residency Program 2027/28February 24, 2026The Gallery at VCUarts Qatar Pulse of Place: Selected Works from the Abdulla bin Ali Al-Thani CollectionMoreBookse-fluxDecember 6, 2025Cream PsychosisMary Walling Blackburne-fluxNovember 24, 2025Séance: Technology of the Spirite-fluxSeptember 12, 2025Theory of SeeingWładysław Strzemińskie-fluxJuly 15, 2024Chaos and the AutomatonFranco “Bifo” Berardie-fluxSeptember 18, 2023Navigation Beyond Visione-fluxNovember 3, 2022Wonderflux: A Decade of e-flux journale-fluxJuly 26, 2022Routes/WorldsElizabeth A. Povinellie-fluxFebruary 1, 2022Accumulation: The Art, Architecture, and Media of Climate ChangeMoreShope-flux Rojava Solidarity Benefite-flux Indexe-flux Bookse-flux Merche-flux172 Classon AvenueBrooklyn, NY 11205USAAboutPrivacy PolicyInstitutionse-flux AppContactFacebookTwitterInstagramWeChat172 Classon AvenueBrooklyn, NY 11205USASubscribee-fluxenenhttps://e-flux.com

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