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The Brooklyn RailArt,Contemporary Art,Artists,Art Critic,Art Books,Culture,Art Reviews,Phong Bui,Brooklyn Art,Brooklyn Culture,New York Art Scene,Poetry,Film,Dance,Theater,Books,Music,FictionThe Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond.The Brooklyn RailThe Brooklyn Rail Critical Perspectives on Art, Politics and CultureSubscribeDonateAboutEventsNewsletterSubscribeShopDonateLoading...October 2024Sept 2024July/Aug 2024June 2024May 2024April 2024March 2024Feb 2024Dec 23–jan 24Nov 2023Oct 2023Sept 2023July/aug 2023June 2023May 2023April 2023March 2023Feb 2023Dec 22–jan 23Nov 2022Oct 2022Sept 2022Jul-aug 2022June 2022May 2022April 2022March 2022Feb 2022Dec 21-jan 22Nov 2021Oct 2021Sept 2021River Rail Puerto RicoJul-aug 2021June 2021May 2021April 2021March 2021Feb 2021Dec 20-jan 21Nov 2020Oct 2020Sept 2020Jul-aug 2020June 2020May 2020April 2020Mar 2020Feb 2020Dec 19-jan 20Nov 2019Oct 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03Jun-jul 2003Apr-may 2003Autumn 2002Aug-sept 2002Early Summer 2002March-april 2002Jan-feb 2002Oct-nov 01July-aug 2001May-june 2001Feb-march 2001Dec 00-jan 01Oct-nov 2000Subscribe Get the RAIL in printIn ConversationLEILAH BABIRYE with Ksenia M. SobolevaIn MemoriamA Tribute to Richard SerraRichard Serra (November 2, 1938–March 26, 2024) was an American artist widely regarded as one of the greatest sculptors of his generation. These tributes to Serra were collected for publication in the Rail in October 2024. With contributions from Phong Bui , L.S. Asekoff, Michael Auping, Mark Francis, Rico Gatson, Gary Garrels, Carmen Gimenez, Michael Govan, Agnes Gund, Bob Holman, Joan Jonas, Richard “Dickie” Landry, Chris Larson, James Lawrence, Maya Lin, Glenn Lowry, Cristiano Mascaro, Meredith Monk, Bruce Nauman, Emily Rauh Pulitzer, Yvonne Rainer, Steve Reich, Rolf Ricke, Richard Shiff, Haim Steinbach, Sarah Sze, Jeffrey Weiss, Joni Moisant Weyl, Michelle White, and Dame Rachel Whiteread.ArtIn ConversationLEILAH BABIRYE with Ksenia M. SobolevaI first met Leilah Babirye through Instagram in 2018, which led to a studio visit that started an ongoing conversation. I was struck by her ability to transform trash into treasure, using found materials to reflect on the adversities she had faced and to envision a brighter future.ArtIn ConversationROBERT LONGO with Amanda GluibizziThis fall, the polymathic artist Robert Longo will see four different solo exhibitions open within a month of each other. Longo and I spoke in his studio in August 2024 before he traveled to Europe, in a conversation that ranged from his current shows to his beginnings as an artist, from how he finds and uses images gleaned from the internet to his desire to make work that is immediate—that “happens every time you see it.”ArtIn ConversationPEPÓN OSORIO with Dan CameronPepón Osorio is known for his provocative, large scale multimedia installations that merge conceptual art and community dynamics. Osorio has worked with over twenty-five communities across the United States and internationally, creating installations based on their real-life experiences. The artist spoke with Dan Cameron on the occasion of Osorio’s exhibition, Convalescence, at the Thomas Jefferson University medical campus in Philadelphia.ArtIn ConversationWALTER PRICE with Michelle GrabnerThe paintings of Walter Price have breath. They are nuanced. They are fluid, and they freely associate. Sometimes this fluidity breaks. It staggers, it stops, it snaps, only to give way to new formation. The paintings transcend even the simplest of polemics. They are nimble and difficult worlds. Michelle Grabner spoke with Price on the occasion of Pearl Lines, his exhibition at the Walker Art Center.ArtIrving Sandler EssayTombarolian CrossingsThe word “tombarolo” rings in the ear like an ancient ritornello, like a musicalized refrain that carries within it, and in this way protects, a popular wisdom that belongs to everyone and no one. The word’s multiplicity reflects the many roles of tombaroli, from thieves to collectors, from lovers of archaeology to criminal looters, from folk heroes to unscrupulous looters, from misfits to magicians and tricksters.Loading...From the Publisher & Artistic DirectorDear Friends and ReadersBy Phong Bui This issue is dedicated to the remarkable lives and works of our mentors and friends, David Anfam (1955–2024), Rebecca Horn (1944–2024), Fredric Jameson (1934–2024), Steve Silberman (1957–2024), and Jacqueline Winsor (1941–2024), all of whom our critical culture is indebted to, in their fearless, inventive, and agile thinking.Editor's MessageSurrealism’s Centenary: Revolutionary Politics Beyond Painting and PoetryBy Ara H. Merjian “Free speech,” the Yippie activist Abbie Hoffman declared in the summer of ’68, “is the right to shout ‘THEATER’ in a crowded fire.”Critics PageA New Pair of Glasses – By Ali BanisadrThe Shit in the Shuttered Chateau – By T.J. ClarkJoined at the Hip – By Jonathan P. EburneSurrealism’s Polymorphous Afterlives – By Chitra GaneshRevolutionary Energy – By Greil MarcusAfrosurrealism Is Dead (And it’s about damn time) – By D. Scot MillerAnother “Us” – By María Elena OrtizImpatient Gravediggers – By Joanna PawlikNo Laughing Matters – By Mark PolizzottiThe Image and the Fury – By Breixo ViejoThe Shock of the Old – By Jensen SutherA Poetry Made By All – By McKenzie WarkSurrealism’s Bright Future – By Tavia Nyong’oParents, Tell Your Kids Your Dreams – By Alyce MahonArtSeenAnthony Cudahy: Fool’s gold and Fool’s errand – By Joseph AkelJames Esber, Jane Fine, J. Fiber, Tracey Goodman, Jim Lee – By Hovey BrockOther Beings: Four Painters Bringing Roughly 20 Unique Faces – By Hovey BrockTim Kent: Edges Off A Model – By William CorwinPaul Anthony Smith: Antillean – By William CorwinLaurie Simmons: DEEP PHOTOS / IN THE BEGINNING – By Ekin ErkanDoug Wheeler: Day Night Day – By Amanda GluibizziMatvey Levenstein: Zone – By Alex GrimleyTobi Kahn: Memory and Inheritance – By Susan HarrisBernice Bing: BINGO – By Jessica HolmesRichard Tuttle: A Distance From This – By Alfred Mac AdamJacob El Hanani: Drawing on Canvas – By Alfred Mac AdamIbrahim Mahama: A SPELL OF GOOD THINGS – By Charles MooreKemar Keanu Wynter: Rücken- – By Amber Jamilla MusserAdriana Farmiga: Index – By Clyde NicholsJason Rhoades: Drive II – By Saul OstrowMark Armijo McKnight: Decreation – By Zach RitterStan Douglas: The Enemy of All Mankind – By Jason RosenfeldJosh Kline: Social Media – By Madeleine SeidelSoumya Netrabile: Holding Current – By Andrew L. SheaJoanna Pousette-Dart: Centering – By Lilly WeiStanislao Lepri: High School – By Jason RosenfeldDavid Rabinowitch: Works from 1962–2018 – By David CarrierFUTURA 2000: Breaking Out – By David CarrierHelène Aylon: Undercurrent – By Ann McCoyRon Gorchov: Exploring the Near/Far Painterly Horizons of Modern Space – By Ekin ErkanTable of ContentsPublisher's MessageDear Friends and Readers – By Phong Bui ArtLEILAH BABIRYE with Ksenia M. SobolevaROBERT LONGO with Amanda GluibizziPEPÓN OSORIO with Dan CameronWALTER PRICE with Michelle GrabnerTombarolian Crossings – By Sara Nadal-MelsióIn MemoriamA Tribute to Richard SerraEditor's MessageSurrealism’s Centenary: Revolutionary Politics Beyond Painting and Poetry – By Ara H. MerjianCritics PageA New Pair of Glasses – By Ali BanisadrThe Shit in the Shuttered Chateau – By T.J. ClarkJoined at the Hip – By Jonathan P. EburneSurrealism’s Polymorphous Afterlives – By Chitra GaneshRevolutionary Energy – By Greil MarcusAfrosurrealism Is Dead (And it’s about damn time) – By D. Scot MillerAnother “Us” – By María Elena OrtizImpatient Gravediggers – By Joanna PawlikNo Laughing Matters – By Mark PolizzottiThe Image and the Fury – By Breixo ViejoThe Shock of the Old – By Jensen SutherA Poetry Made By All – By McKenzie WarkSurrealism’s Bright Future – By Tavia Nyong’oParents, Tell Your Kids Your Dreams – By Alyce MahonArtSeenAnthony Cudahy: Fool’s gold and Fool’s errand – By Joseph AkelJames Esber, Jane Fine, J. Fiber, Tracey Goodman, Jim Lee – By Hovey BrockOther Beings: Four Painters Bringing Roughly 20 Unique Faces – By Hovey BrockTim Kent: Edges Off A Model – By William CorwinPaul Anthony Smith: Antillean – By William CorwinLaurie Simmons: DEEP PHOTOS / IN THE BEGINNING – By Ekin ErkanDoug Wheeler: Day Night Day – By Amanda GluibizziMatvey Levenstein: Zone – By Alex GrimleyTobi Kahn: Memory and Inheritance – By Susan HarrisBernice Bing: BINGO – By Jessica HolmesRichard Tuttle: A Distance From This – By Alfred Mac AdamJacob El Hanani: Drawing on Canvas – By Alfred Mac AdamIbrahim Mahama: A SPELL OF GOOD THINGS – By Charles MooreKemar Keanu Wynter: Rücken- – By Amber Jamilla MusserAdriana Farmiga: Index – By Clyde NicholsJason Rhoades: Drive II – By Saul OstrowMark Armijo McKnight: Decreation – By Zach RitterStan Douglas: The Enemy of All Mankind – By Jason RosenfeldJosh Kline: Social Media – By Madeleine SeidelSoumya Netrabile: Holding Current – By Andrew L. SheaJoanna Pousette-Dart: Centering – By Lilly WeiStanislao Lepri: High School – By Jason RosenfeldDavid Rabinowitch: Works from 1962–2018 – By David CarrierFUTURA 2000: Breaking Out – By David CarrierHelène Aylon: Undercurrent – By Ann McCoyRon Gorchov: Exploring the Near/Far Painterly Horizons of Modern Space – By Ekin ErkanField NotesJAMIE MERCHANT with John CleggLola Miesseroff’s Fag Hag – By Jean-Claude LeroyArchitecturePETER ZUMTHOR with Nile GreenbergArt BooksFreddy Carrasco’s GLEEM – By Naomi EliasOrlando Whitfield’s All That Glitters – By James CahillAndrew James Paterson’s Never Enough Night – By Daniella SanaderPenny Slinger’s An Exorcism: A Photo Romance – By Jenny WuBooksNATE LIPPENS with Chris CampanioniTONY TULATHIMUTTE with James YuOstap Slyvynsky’s Winter King – By Tony LeuzziJuliet Grames’s The Lost Boy of Santa Chionia – By Karissa ChenCody Delistraty’s The Grief Cure – By Camille Sojit PejchaJoan Wickersham’s No Ship Sets Out to be a Shipwreck – By Tania MalikSam Sax’s Yr Dead – By Henry Hicks IVOlga Tokarczuk’s The Empusium: A Health Resort Horror Story – By Emma R. CohenMusicAWADAGIN PRATT with Ben GambuzzaSyto Cavé – By Adolf AlzupharPhilip Freeman’s In the Brewing Luminous: The Life and Music of Cecil Taylor – By George GrellaGive the Drummer Some – By Scott GuttermanDanceCLARE CROFT with Candice ThompsonR.O.S.E. – By Chava Pearl LanskyAn Unlikely Inheritance – By Jessie L. MorrisMessage in a Bottle – By Karen HildebrandFilmBasma al-Sharif’s Deep Sleep – By Rebecca TurnerKazik Radwanski’s Matt and Mara – By Laura ValenzaTheaterDAKOTA ROSE & CHRISTOPHER FORD with Andrew R. ButlerEmergency Exits, Quieter AC, and Space for Community: The Bushwick Starr Reopens – By Joey SimsFictionYears and Years – By Bijan StephenRoom – By Claudia Peña Claros, translated from the Spanish by Robin MyersPoetryThe Hanging Girls – By Jennifer Firestonefrom apparitions (nines) – By Nat Raha1x1Lee Ann Norman on Pope.LDispatchesDispatch 22: “This Has Got to Stop” – By David Levi StraussLoading...The RAILAbout the RailStaffOur SupportersContributorsStoreHistoryArchivesContact UsGet InvolvedSign up for our newsletterSubscribeDonateAdvertiseSubmissionsFollow Instagram Twitter Facebook RSS© Copyright 2000-2024 The Brooklyn Railenen1728414602https://brooklynrail.org

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