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Sprüth MagersLocated in Berlin, London, Los Angeles and New York, Sprueth Magers is one of the world's leading contemporary art galleries, representing emerging and established artists.Sprüth Magers News Exhibitions Current Upcoming Past Artists Fairs Locations Newsletter Sterling Ruby The Flower Cutter Rests on Dust Covered Steps September 5–November 30, 2024 Shinsegae Gallery, Seoul Jenny Holzer WORDS September 5–November 2, 2024 Sprüth Magers, New York Gary Hume Mirrors and other creatures September 13–October 19, 2024 Sprüth Magers, London Anthony McCall Raised Voices September 13–December 21, 2024 Sprüth Magers, London John Baldessari Ahmedabad 1992 September 14–November 2, 2024 Public Reception: September 13, 6–10pm Sprüth Magers, Berlin Oliver Bak Ghost Driver, or The Crowned Anarchist September 14–November 2, 2024 Public Reception: September 13, 6–10pm Sprüth Magers, Berlin Arthur Jafa nativemanson September 14–December 14, 2024 Public Reception: September 13, 6–8pm Sprüth Magers, Los Angeles On View Sterling Ruby The Flower Cutter Rests on Dust Covered Steps September 5–November 30, 2024 Shinsegae Gallery, Seoul Jenny Holzer WORDS September 5–November 2, 2024 Sprüth Magers, New York Gary Hume Mirrors and other creatures September 13–October 19, 2024 Sprüth Magers, London Anthony McCall Raised Voices September 13–December 21, 2024 Sprüth Magers, London John Baldessari Ahmedabad 1992 September 14–November 2, 2024 Public Reception: September 13, 6–10pm Sprüth Magers, Berlin Oliver Bak Ghost Driver, or The Crowned Anarchist September 14–November 2, 2024 Public Reception: September 13, 6–10pm Sprüth Magers, Berlin Arthur Jafa nativemanson September 14–December 14, 2024 Public Reception: September 13, 6–8pm Sprüth Magers, Los Angeles Sterling Ruby, TURBINE. Lit Epitaph., 2024   Exhibition Sterling Ruby The Flower Cutter Rests on Dust Covered Steps Shinsegae Gallery, Seoul Through November 30, 2024 In The Flower Cutter Rests on Dust Covered Steps, a solo exhibition featuring all new work by Ruby, the viewer is led through a series of rooms featuring discrete projects – voluptuous ceramics, impressionistic and symbolic collages, austere aluminum sculptures, spare ink and graphite drawings and, finally, an installation of visceral, explosive paintings. The exhibition’s title calls to mind a gardener working to tend to seasonal changes, pruning to make way for cycles of growth, decay and renewal. Ceramics lead to drawings, collages lead to paintings, and throughout, the works unveil a somber sadness, as if revealing the deteriorating structures of nature, symbolic orders and civilizations at the brink of cataclysm or collapse. The exhibition will provide a unique opportunity to explore the artist’s aesthetic approach to questioning the primal forces that drive our planet. Thomas Scheibitz, Tender – X, 2022 © Thomas Scheibitz / VG Bild-Kunst, Bonn 2024   Festival Hallen 05 Group Exhibition Wilhelm Hallen, Berlin Through September 15, 2024 Coinciding with Berlin Art Week, Sprüth Magers is pleased to participate in the most comprehensive exhibition of the Hallen series to date with a selection of works by Thomas Scheibitz. Over the course of nine days, galleries, art collections, and renowned institutions will present works by national and international artists within the expansive 9,000 m² of the Wilhelm Hallen. Current Upcoming Anne Imhof, Wish You Were Gay, installation view, Kunsthaus Bregenz, 2024 Photo: Markus Tretter   Exhibition Anne Imhof Wish You Were Gay Kunsthaus Bregenz Through September 22, 2024 Anne Imhof is one of the most important contemporary artists of our time. Her signature artistic expression is rooted in performance pieces, where casts of androgynous figures navigate the space with a captivating blend of impassive poise and elaborate choreography within an immersive audio-visual experience. This dynamic interplay, underscored by the inclusion of ubiquitous and iconic elements of fashion, photography, and an amalgamation of subculture and popular culture, creates an atmosphere reminiscent of post-apocalyptic isolation. Within the austere confines of Kunsthaus Bregenz, Anne Imhof ushers in a compelling transformation. In this enigmatic creation, a paradox unfolds, taking the shape of both a barricade and a proscenium. For the KUB exhibition, Imhof will focus on painting and sculpture, which form the crux of her artistic practice, mirroring the fluid evolution of her performative works. The human figure now assumes an allegorical presence, offering a heightened sense of Imhof’s trademark exploration of the human condition. Jenny Holzer, Light Line, installation view, Solomon R. Guggenheim Museum, New York, 2024 © Jenny Holzer, member Artist Rights Society (ARS), New York. Photo: Filip Wolak   Exhibition Jenny Holzer Light Line Solomon R. Guggenheim Museum and Foundation, New York Through September 29, 2024 This exhibition will present a reimagination of Jenny Holzer’s landmark 1989 installation at the Guggenheim. Climbing all six ramps of the Frank Lloyd Wright-designed rotunda to the building’s apex, the new manifestation of Holzer’s electronic sign extends and builds upon the artist’s vision from thirty-five years earlier. The site-specific work will transform the building with a display of scrolling texts from her earliest series of truisms and aphorisms to more recent experiments with language generated by artificial intelligence. Holzer’s iconic use of the written word throughout her career has long captivated audiences around the world and this solo exhibition will feature little known examples of Holzer’s work spanning her career from the 1980s through today. John Baldessari, Throwing a Ball Once to Get Three Melodies and Fifteen Chords, 1975 (detail) © John Baldessari 1975. Courtesy Estate of John Baldessari © 2024 Courtesy John Baldessari Family Foundation   Exhibition John Baldessari John Baldessari. The End of the Line Craig Robins Collection Fundación Malba – Museo de Arte Latinoamericano de Buenos Aires Through November 18, 2024 First South American survey devoted to John Baldessari, the great pioneer of conceptual art. The exhibition features a selection of 45 works, spanning paintings, photographs and installations drawn from the collection of Craig Robins – a friend, promoter, close interlocutor and one of the most important collectors of Baldessari’s work. John Baldessari: The End of the Line reviews 50 years of the artist’s work organized in four thematic groupings. The exhibition highlights Baldessari’s foundational works from the 1960s and 70s; the radical incineration of his own work; his serial approach to photography; and his ongoing exploration of the interplay between imagery and language, between the world of text and that of ideas. Cao Fei, DUOTOPIA Vol.2, 2024 © Cao Fei, 2024. Commissioned by Meta City   Exhibition Cao Fei Tidal Flux Museum of Art Pudong, Shanghai Through November 17, 2024 Museum of Art Pudong proudly announces its third major exhibition of the year, Cao Fei: Tidal Flux, opening to the public from June 22 to November 17, 2024. This exhibition marks MAP’s first solo show dedicated to a female artist and its first major exhibition of moving images and media art since the museum’s inception. For artist Cao Fei, this marks her inaugural large-scale mid-career retrospective in Shanghai, and one of her largest solo exhibitions ever staged globally. This exhibition provides a comprehensive overview of Cao Fei’s nearly 30-year artistic journey. The exhibition delves into themes of time, the body, and technology, encompassing several of Cao Fei’s significant long-term projects. Highlights include her early works during the “Pearl River Delta” period, the exploration of digital and virtual realms in the “metaverse” originating from the RMB City body of work, and her research project HX. Furthermore, the exhibition features seven pieces making their global debut, and thirteen works/series being shown in China for the first time. Thomas Demand, Kontrollraum / Control Room, 2011 © Thomas Demand, VG Bild-Kunst, Bonn   Exhibition Thomas Demand The Stutter of History Museum of Fine Arts, Houston Through September 15, 2024 At first, the images Thomas Demand creates seem to depict the real world. A closer look, however, reveals that they are actually photographs of temporary sculptural re-creations. Demand often selects his source imagery from the news media, and he re-creates those images as life-size models using colored paper and cardboard. Then he photographs the images and prints them at a monumental scale. Afterward, Demand destroys his models, leaving behind only their ghostly photographic doubles. The “stutter of history” evoked by the exhibition’s title lies in that strange gap between the real world and the re-created world of paper and cardboard that the artist conjures in his studio. The internationally touring exhibition Thomas Demand: The Stutter of History is a landmark retrospective of the artist’s work, and the MFAH is the only U.S. venue. © Gilbert & George   Exhibition Gilbert & George LONDON PICTURES The Gilbert & George Centre, London Celebrating a year since opening, Gilbert & George are thrilled to announce the second exhibition to take place at the Gilbert & George Centre – the ‘LONDON PICTURES’. The largest group of pictures created by Gilbert & George, they offer both a directory of urban human behaviour and a moral portrait of our times. Over a number of years, Gilbert & George stole newspaper posters found across London, filtering and sorting the stories they conveyed by subject matter. More than a decade since they were first unveiled on a global tour, the Centre will present 28 of the 292 pictures from the ‘LONDON PICTURES’ series, many of which have not been seen in the UK previously. Viewing these ‘LONDON PICTURES’ in 2024 will prompt viewers to consider how society has changed and what has remained central to our shared experience. Nancy Holt, Pipeline (detail), 1986, installation view, Nasher Sculpture Center, 2023 Photo: Kevin Todora © Holt/Smithson Foundation. Licensed by Artists Rights Society, New York   Exhibition Nancy Holt Power Systems Wexner Center for the Arts, The Ohio State University, Columbus Through July 27, 2025 Nancy Holt: Power Systems features the most extensive inquiry yet into Nancy Holt’s studies of systems. The exhibition launches in summer 2024 with a presentation of Pipeline, which calls attention to the physical and economic systems powering buildings and to the impact of fossil fuel extraction. Holt visited Alaska in March of 1986 at the invitation of the Visual Arts Center of Alaska, with the hope she might create a work of art in celebration of the region’s beauty. Holt was instead struck by the infiltration of the Trans-Alaska Pipeline System through the landscape. In response she made Pipeline, a sculpture made of steel pipes that twist in and out of the gallery, winding down to the floor where one section of pipe leaks—an incessant drip of oil pooling thickly on a white base. Pipeline points to the unchecked audacity and devastating consequences of the energy industry. Joseph Kosuth, Three Titled Meanings (A.A.I.A.I.), 1967 © Joseph Kosuth, 2024   Exhibition Take a Breath Group Exhibition IMMA – Irish Museum of Modern Art, Dublin Through March 17, 2025 Take a Breath is a major new exhibition that provides an historical, social, political, and personal examination of breathing – why we breathe, how we breathe and what we breathe – exploring themes of decolonisation, environmental racism, indigenous language, the impact of war on the environment and breath as meditation. Taking as its starting point the nature of breath and its vital role in our very existence, the exhibition reflects on the social, political, environmental, and spiritual aspect of breathing, tracking this vital act from the impact of post-industrial air pollution to modern-day wars and the effect on environment, health and how we live; to the suppression of protests of voices from different communities, where breath is a symbol of community and resistance; and the use of breath as personal meditation. Anthony McCall, installation view, Eye Filmmuseum, Amsterdam, 2014 Photo: Hans Wilschut   Exhibition Anthony McCall Solid Light Tate Modern, London Through April 27, 2025 In Summer 2024, Tate Modern will present a focused exhibition of immersive works by Anthony McCall. Occupying a space between sculpture, cinema and drawing, McCall is known for his ‘solid-light’ installations that began in 1973 with the seminal work Line Describing a Cone, a key work in Tate’s collection. Anthony McCall, Doubling Back (2003), installation view, Museo d’arte della Svizzera italiana, Lugano, 2015 Photo: Stefania Beretta   Exhibition Anthony McCall Split Second Museo Guggenheim Bilbao Through November 10, 2024 Coinciding with the 10th anniversary of the Museum’s program devoted to artistic practices of the moving image, the Film & Video Gallery will host the radically abstract, film-based work of Anthony McCall. In clear dialogue with the works of Richard Serra and Lucio Fontana in the Museum Collection, this exhibition will feature the premiere of a single new work, Split Second (Mirror) IV (2024), alongside the historic projection piece Miniature in Black and White (1972) and a series of photographic prints. Photo: Timo Ohler   Publication Reinhard Mucha Urlaub im All / Holiday in Space Edited by Sprüth Magers in cooperation with Galerie Bärbel Grässlin, Luhring Augustine, Lia Rumma Gallery Published by Verlag der Buchhandlung Walther und Franz König, Cologne, March 23, 2023 Urlaub im All / Holiday in Space is an artist book which can be considered as Reinhard Mucha’s personal oeuvre catalogue. It comprises two volumes in a slipcase and is based on Reinhard Mucha's so-called portfolio books that he created for himself over the years, relating his photographically documented works to one another both formally and aesthetically. Nearly 800 reproductions as well as detailed image and work information provide unprecedented, comprehensive insight into both his work and understanding of sculpture. Also published for the first time are 19 letters and texts by Mucha further elucidating his artistic thinking. Senga Nengudi with Water Composition II, ca. 1970 Courtesy Tilton Gallery, New York   Exhibition Senga Nengudi Dia Beacon, New York Through early 2025 Dia Art Foundation will present a long-term exhibition of work by Senga Nengudi, which will open at Dia Beacon on February 17, 2023. Sculptures and room-sized installations made between 1969 and 2020, including recent acquisitions for Dia’s permanent collection, will be on display. This long-term exhibition of Nengudi’s work will be accompanied by a performance program and publication, revealing the multiplicity of her practice. Jon Rafman, Breaking the Void, installation view, 2024 Courtesy Taipei Fine Arts Museum   Exhibition Jon Rafman Breaking the Void Taipei Fine Arts Museum, Taipei Through September 15, 2024 Breaking the Void presents Jon Rafman’s video work Punctured Sky (2021), and S.S Lacuna: Prologue (2024), an interactive video commissioned by TFAM Net.Open. The two pieces raise questions and probes into the virtual and real dimensions of cyberspace. As the narrative exploration unfolds, the intangible web constructed by the internet gradually reveals fissures and holes piercing through the virtual towards reality. Yet, the world it leads to, is it indeed reality, or another boundless void? Photo: Timothy Schenck   Commission Pamela Rosenkranz Old Tree High Line, New York Through September 2024 Sprüth Magers congratulates Pamela Rosenkranz whose monumental sculpture Old Tree was selected for the third High Line Plinth commission in New York, to be unveiled in spring of 2023. The bright red and pink imaginary tree animates a myriad of historical archetypes wherein the tree of life connects heaven and earth while also closely resembling the complex networks of the human circulatory system. Located on the High Line—an urban park built on a relic of industry—and selected from among over 80 international proposals by artists from 40 countries, Old Tree raises questions about the real while simultaneously highlighting a breakdown of the boundary between nature and artifice. Pamela Rosenkranz, Healer Scrolls (Clarity), 2023 (detail)   Exhibition Pamela Rosenkranz Spill Retina Neuer Berliner Kunstverein, Berlin Through November 10, 2024 Pamela Rosenkranz’s artistic practice spans a variety of mediums, including objects, sculptures, works on paper, conceptual paintings, (light) installations, and video works. She investigates scientific and sociocultural systems that profoundly impact humans and their environment. Through her interdisciplinary approach, which incorporates elements from the natural sciences, neurology, art history, literature, and biorobotics, she reflects on the interactions and consequences of an anthropocentric worldview on the entire habitat. Rosenkranz has developed a unique visual language that highlights fluid transitions and blurs the boundaries between culture and nature, humans and animals, humans and machines, and physical and digital realities. For her first institutional solo exhibition in Berlin, the artist will create a new site-specific installation at Neuer Berliner Kunstverein (n.b.k.). Ed Ruscha, Standard Station, 1966 © Ed Ruscha, 2024
    Exhibition Ed Ruscha ED RUSCHA / NOW THEN Los Angeles County Museum of Art – LACMA Through October 6, 2024 Ed Ruscha has consistently held up a mirror to American society by transforming some of its defining attributes – from consumer culture and popular entertainment to the ever-changing urban landscape – into the very subject of his art. In 1956, Ruscha left Oklahoma City to study commercial art in Los Angeles, where he drew inspiration from the city’s architectural landscape – parking lots, urban streets, and apartment buildings – and colloquial language. As his first comprehensive, cross-media retrospective in over 20 years, ED RUSCHA / NOW THEN traces Ruscha’s methods and familiar subjects throughout his career and underscores the many remarkable contributions he has made well beyond the boundaries of the art world. The exhibition includes his early works produced while traveling through Europe, his installations – such as the Chocolate Room and the Course of Empire presented at the Venice Biennale in 1970 and 2005, respectively – and his ceaseless photographic documentation of the streets of Los Angeles beginning in 1965. Ed Ruscha, Works on Paper, installation view, Hall Art Foundation, Reading, Vermont, 2024 Photo: Jeffrey Nintzel, Courtesy Hall Art Foundation   Exhibition Ed Ruscha Works on Paper Hall Art Foundation, New York Through December 1, 2024 The Hall Art Foundation is pleased to announce an exhibition by the internationally acclaimed American artist, Ed Ruscha to be held at its galleries in Reading, Vermont. The show begins with a group of Ruscha's seminal black-and-white photographs from 1962 and presents over a dozen works on paper that span five decades of his career.  Since the 1960s, Ruscha has explored the role of language in painting, drawing, photography, printmaking, and bookmaking by using the meaning and formal qualities of words as his principle subject matter.  Stephen Shore, Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975, from the series Uncommon Places, 1973–86 © Stephen Shore   Exhibition Stephen Shore Vehicular & Vernacular Fondation Henri Cartier-Bresson, Paris Through September 15, 2024 With over a hundred images shot between 1969 and 2021 across the United States, Vehicular & Vernacular is the first retrospective of Stephen Shore’s work in Paris in nineteen years. On view at the Fondation Henri Cartier-Bresson, the exhibition shows the photographer’s renowned series—Uncommon Places and American Surfaces—alongside lesser-known projects never shown in France. A fragment of the Signs of Life exhibition in which Shore participated in 1976 is exceptionally recreated for the occasion. Finally, the photographer’s most recent series, shot using drones, is exhibited for the first time in Europe. Marcel van Eeden, untitled (from: The Collection. Zurich 1958), 2015 Art collection of the Zürcher Kantonalbank   Exhibition Marcel van Eeden Art Today – Drawings and Animations Museum Morsbroich, Leverkusen Through October 6, 2024 Like hardly anyone else in contemporary art, Marcel van Eeden gives the medium of drawing cinematic qualities, opening a window into a very vividly portrayed past. Based on photographs from magazines, newspapers, books and catalogues, all printed before his birth in 1965, he explores a time that took place without him, but into which he puts himself and literally “draws”. In several groups of drawings, Marcel van Eeden takes us into the past of his adopted home of Zurich, which we explore as if on a city walk – from the modern Bellevue tram stop past the Polybähnli, across Lake Zurich to Picabia and Miró in the Kronenhalle. In the style of pulp fiction, he develops a highly exciting story about cultural loot and Eduard von der Heydt's world art collection, which was to form the basis of the Zurich Rietberg Museum. Kara Walker, Fortuna and the Immortality Garden (Machine), work in progress, 2023–24 © Kara Walker, 2024. Photo: Ari Marcopoulos   Exhibition Kara Walker Fortuna and the Immortality Garden (Machine) San Francisco Museum of Modern Art – SFMoMA Through May 2026 Fortuna and the Immortality Garden (Machine) A Respite for the Weary Time-Traveler. Featuring a Rite of Ancient Intelligence Carried out by The Gardeners Toward the Continued Improvement of the Human Specious by Kara E-Walker. Kara Walker has long been recognized for her incisive examinations of the dynamics of power and the exploitation of race and sexuality. Her work leverages expressions of fantasy and humor to confront troubling histories and dominant narratives, repossessing control in the process. Inspired by a wide range of sources, from antique dolls to Octavia Butler’s novel Parable of the Sower, Walker’s new commission, Fortuna and the Immortality Garden (Machine), considers the memorialization of trauma, the objectives of technology, and the possibilities of transforming the negative energies that plague contemporary society. The presentation marks the first time that SFMOMA has commissioned an artist to create a site-specific installation for the Roberts Family Gallery. Thea Djordjadze / Rosemarie Trockel, Lob der Langeweile, 2008 © Thea Djordjadze and Rosemarie Trockel/VG Bild-Kunst, Bonn 2024   Exhibition Thea Djordjadze, Rosemarie Trockel limitation of life Städtische Galerie im Lenbachhaus, Munich November 12, 2024–April 27, 2025 The Lenbachhaus will present a collaborative work by the artists Rosemarie Trockel and Thea Djordjadze. Djordjadze was Trockel’s student at the Kunstakademie Düsseldorf from 1998 to 2001 and the two have maintained a close artistic relationship ever since, realizing numerous joint projects and exhibitions. In their exhibition at Lenbachhaus, the artists want to delve into the conception of beauty and challenge established aesthetic conventions, taking inspiration from reflections by the poet Arthur Rimbaud. Rimbaud’s opening lines from “Une saison en enfer” (1873) provide a leitmotif for the artists’ approach: “One evening I sat Beauty on my knees. And I found her bitter and I reviled her.” Mire Lee, Black Sun, installation view, New Museum, New York, 2023 Courtesy New Museum. Photo: Dario Lasagni   Exhibition Mire Lee Hyundai Commission: Mire Lee Turbine Hall, Tate Modern, London October 8, 2024–March 16, 2025 Tate Modern and Hyundai Motor announce that Mire Lee will create the next annual Hyundai Commission. Mire Lee is known for her visceral sculptures which use kinetic, mechanised elements to invoke the tension between soft forms and rigid systems. Her new site-specific work for the Turbine Hall will be open to the public from 8 October 2024 to 16 March 2025. This will be the first major presentation of Lee’s work in the UK. Marcel van Eeden, The Villa, 2024   Exhibition Marcel van Eeden The Villa Villa Flora, Kunstmuseum Winterthur September 21, 2024–January 5, 2025 In The Villa, created for the Kunstmuseum Winterthur, the artist examines the history of Villa Flora including the famous collector couple Hedy and Arthur Hahnloser and connects it with his own artistic universe. In his series and large-format drawings, Van Eeden investigates historical events that date from before his birth, over the years creating a monumental artistic project that links his own existence with the flow of time—resulting in the paradoxical coupling of romantic personalization and melancholic distance. Kara Walker, The Origin of the World (Juried Art Competition), 2022   Exhibition Drawing the Unspeakable Group Exhibition Towner, Eastbourne October 5, 2024–April 27, 2025 Drawing the Unspeakable explores the universal language of drawing – a medium that renowned broadcaster David Dimbleby and his daughter, the artist and writer Liza Dimbleby, have long recognised as a powerful tool for expressing the inexpressible Featuring over 200 works, the exhibition is an in-depth exploration of human experience through art. The exhibition brings together a diverse array of pieces that challenge the boundaries of speech, translating the unspeakable into the visual realm. Through these drawings, artists navigate themes of disaster, war, displacement and destruction, mental and physical illness, loss, grief, birth and family, dreams, memories, and imagination. ©  Sprüth Magers  1983–2024 About Imprint Privacy Policy Accessibility Whistleblowing System Contact us Manage Cookie Consent This site uses cookies to improve user experience. By clicking “Accept” you consent to our use of cookies. Further information can be found in our Cookie Policy. Functional Functional Always active The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. 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